An introduction to audio content analysis : (Record no. 42413)

000 -LEADER
fixed length control field 09799nam a2201069 i 4500
001 - CONTROL NUMBER
control field 6266785
003 - CONTROL NUMBER IDENTIFIER
control field IEEE
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20191218152123.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m o d
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr |n|||||||||
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 151221s2012 nju ob 001 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781118393550
Qualifying information ebook
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9781118266823
Qualifying information print
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 1118393554
Qualifying information electronic
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9781118393505
Qualifying information electronic
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 1118393503
Qualifying information electronic
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code 10.1002/9781118393550
Source of number or code doi
035 ## - SYSTEM CONTROL NUMBER
System control number (CaBNVSL)mat06266785
035 ## - SYSTEM CONTROL NUMBER
System control number (IDAMS)0b000064818b36cf
040 ## - CATALOGING SOURCE
Original cataloging agency CaBNVSL
Language of cataloging eng
Description conventions rda
Transcribing agency CaBNVSL
Modifying agency CaBNVSL
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number TK7881.4.
Item number L47 2012eb
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 006.4/5
Edition number 23
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Lerch, Alexander,
Relator term author.
245 13 - TITLE STATEMENT
Title An introduction to audio content analysis :
Remainder of title applications in signal processing and music informatics /
Statement of responsibility, etc. Alexander Lerch.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Hoboken, New Jersey :
Name of producer, publisher, distributor, manufacturer Wiley,
Date of production, publication, distribution, manufacture, or copyright notice c2012.
264 #2 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture [Piscataqay, New Jersey] :
Name of producer, publisher, distributor, manufacturer IEEE Xplore,
Date of production, publication, distribution, manufacture, or copyright notice [2012]
300 ## - PHYSICAL DESCRIPTION
Extent 1 PDF (xxii, 248 pages).
336 ## - CONTENT TYPE
Content type term text
Source rdacontent
337 ## - MEDIA TYPE
Media type term electronic
Source isbdmedia
338 ## - CARRIER TYPE
Carrier type term online resource
Source rdacarrier
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references.
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note Machine generated contents note: 1.1.Audio Content -- 1.2.A Generalized Audio Content Analysis System -- 2.1.Audio Signals -- 2.1.1.Periodic Signals -- 2.1.2.Random Signals -- 2.1.3.Sampling and Quantization -- 2.1.4.Statistical Signal Description -- 2.2.Signal Processing -- 2.2.1.Convolution -- 2.2.2.Block-Based Processing -- 2.2.3.Fourier Transform -- 2.2.4.Constant Q Transform -- 2.2.5.Auditory Filterbanks -- 2.2.6.Correlation Function -- 2.2.7.Linear Prediction -- 3.1.Audio Pre-Processing -- 3.1.1.Down-Mixing -- 3.1.2.DC Removal -- 3.1.3.Normalization -- 3.1.4.Down-Sampling -- 3.1.5.Other Pre-Processing Options -- 3.2.Statistical Properties -- 3.2.1.Arithmetic Mean -- 3.2.2.Geometric Mean -- 3.2.3.Harmonic Mean -- 3.2.4.Generalized Mean -- 3.2.5.Centroid -- 3.2.6.Variance and Standard Deviation -- 3.2.7.Skewness -- 3.2.8.Kurtosis -- 3.2.9.Generalized Central Moments -- 3.2.10.Quantiles and Quantile Ranges -- 3.3.Spectral Shape -- 3.3.1.Spectral Rolloff --
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note Contents note continued: 3.3.2.Spectral Flux -- 3.3.3.Spectral Centroid -- 3.3.4.Spectral Spread -- 3.3.5.Spectral Decrease -- 3.3.6.Spectral Slope -- 3.3.7.Mel Frequency Cepstral Coefficients -- 3.4.Signal Properties -- 3.4.1.Tonalness -- 3.4.2.Autocorrelation Coefficients -- 3.4.3.Zero Crossing Rate -- 3.5.Feature Post-Processing -- 3.5.1.Derived Features -- 3.5.2.Normalization and Mapping -- 3.5.3.Subfeatures -- 3.5.4.Feature Dimensionality Reduction -- 4.1.Human Perception of Intensity and Loudness -- 4.2.Representation of Dynamics in Music -- 4.3.Features -- 4.3.1.Root Mean Square -- 4.4.Peak Envelope -- 4.5.Psycho-Acoustic Loudness Features -- 4.5.1.EBU R128 -- 5.1.Human Perception of Pitch -- 5.1.1.Pitch Scales -- 5.1.2.Chroma Perception -- 5.2.Representation of Pitch in Music -- 5.2.1.Pitch Classes and Names -- 5.2.2.Intervals -- 5.2.3.Root Note, Mode, and Key -- 5.2.4.Chords and Harmony -- 5.2.5.The Frequency of Musical Pitch -- 5.3.Fundamental Frequency Detection --
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note Contents note continued: 5.3.1.Detection Accuracy -- 5.3.2.Pre-Processing -- 5.3.3.Monophonic Input Signals -- 5.3.4.Polyphonic Input Signals -- 5.4.Tuning Frequency Estimation -- 5.5.Key Detection -- 5.5.1.Pitch Chroma -- 5.5.2.Key Recognition -- 5.6.Chord Recognition -- 6.1.Human Perception of Temporal Events -- 6.1.1.Onsets -- 6.1.2.Tempo and Meter -- 6.1.3.Rhythm -- 6.1.4.Timing -- 6.2.Representation of Temporal Events in Music -- 6.2.1.Tempo and Time Signature -- 6.2.2.Note Value -- 6.3.Onset Detection -- 6.3.1.Novelty Function -- 6.3.2.Peak Picking -- 6.3.3.Evaluation -- 6.4.Beat Histogram -- 6.4.1.Beat Histogram Features -- 6.5.Detection of Tempo and Beat Phase -- 6.6.Detection of Meter and Downbeat -- 7.1.Dynamic Time Warping -- 7.1.1.Example -- 7.1.2.Common Variants -- 7.1.3.Optimizations -- 7.2.Audio-to-Audio Alignment -- 7.2.1.Ground Truth Data for Evaluation -- 7.3.Audio-to-Score Alignment -- 7.3.1.Real-Time Systems M -- 7.3.2.Non-Real-Time Systems --
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note Contents note continued: 8.1.Musical Genre Classification -- 8.1.1.Musical Genre -- 8.1.2.Feature Extraction -- 8.1.3.Classification -- 8.2.Related Research Fields -- 8.2.1.Music Similarity Detection -- 8.2.2.Mood Classification -- 8.2.3.Instrument Recognition -- 9.1.Fingerprint Extraction -- 9.2.Fingerprint Matching -- 9.3.Fingerprinting System: Example -- 10.1.Musical Communication -- 10.1.1.Score -- 10.1.2.Music Performance -- 10.1.3.Production -- 10.1.4.Recipient -- 10.2.Music Performance Analysis -- 10.2.1.Analysis Data -- 10.2.2.Research Results -- A.1.Identity -- A.2.Commutativity -- A.3.Associativity -- A.4.Distributivity -- A.5.Circularity -- B.1.Properties of the Fourier Transformation -- B.1.1.Inverse Fourier Transform -- B.1.2.Superposition -- B.1.3.Convolution and Multiplication -- B.1.4.Parseval's Theorem -- B.1.5.Time and Frequency Shift -- B.1.6.Symmetry -- B.1.7.Time and Frequency Scaling -- B.1.8.Derivatives -- B.2.Spectrum of Example Time Domain Signals --
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note Contents note continued: B.2.1.Delta Function -- B.2.2.Constant -- B.2.3.Cosine -- B.2.4.Rectangular Window -- B.2.5.Delta Pulse -- B.3.Transformation of Sampled Time Signals -- B.4.Short Time Fourier Transform of Continuous Signals -- B.4.1.Window Functions -- B.5.Discrete Fourier Transform -- B.5.1.Window Functions -- B.5.2.Fast Fourier Transform -- C.1.Computation of the Transformation Matrix -- C.2.Interpretation of the Transformation Matrix -- D.1.Software Frameworks and Applications -- D.1.1.Marsyas -- D.1.2.CLAM -- D.1.3.jMIR -- D.1.4.CoMIRVA -- D.1.5.Sonic Visualiser -- D.2.Software Libraries and Toolboxes -- D.2.1.Feature Extraction -- D.2.2.Plugin Interfaces -- D.2.3.Other Software.
506 1# - RESTRICTIONS ON ACCESS NOTE
Terms governing access Restricted to subscribers or individual electronic text purchasers.
520 ## - SUMMARY, ETC.
Summary, etc. An easily accessible, hands-on approach to digital audio signal processingWith the proliferation of digital audio distribution over digital media, the amount of easily accessible music is ever-growing, requiring new tools for navigating, accessing, and retrieving music in meaningful ways. An understanding of audio content analysis is essential for the design of intelligent music information retrieval applications and content-adaptive audio processing systems.This book is about how to teach a computer to interpret music signals, thus allowing the design of tools for interacting with music. This book serves as a comprehensive guide on audio content analysis and how to apply it in signal processing and music informatics. Written by a well-known expert in the music industry, An Introduction to Audio Content Analysis ties together topics from audio signal processing and machine learning, showing how to use audio content analysis to pick up musical characteristics automatically. The author clearly explains the analysis of audio signals and the extraction of metadata describing the content of the signal, covering both abstract descriptions of technical properties and musical descriptions such as tempo, harmony and key, musical style, and performance attributes. Musical information is given a separate analysis in each category, whether tonal, pitch, harmony, key, temporal, or tempo, among others.Readers will get access to various analysis algorithms and learn to compare different standard approaches to the same task. The book includes a review of the fundamentals of audio signal processing, psychoacoustics, and music theory.An invaluable guide for newcomers to audio signal processing and industry experts alike, An Introduction to Audio Content Analysis also features downloadable MATLAB files from a companion website, www.AudioContentAnalysis.org, lists of abbreviations and symbols, and references.
530 ## - ADDITIONAL PHYSICAL FORM AVAILABLE NOTE
Additional physical form available note Also available in print.
538 ## - SYSTEM DETAILS NOTE
System details note Mode of access: World Wide Web
588 ## - SOURCE OF DESCRIPTION NOTE
Source of description note Description based on PDF viewed 12/21/2015.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Content analysis (Communication)
General subdivision Data processing.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Computational auditory scene analysis.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Computer sound processing.
655 #0 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Electronic books.
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-- Accuracy
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-- Algorithm design and analysis
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-- Analytical models
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-- Approximation methods
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-- Bandwidth
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-- Books
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-- Context
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-- Data mining
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-- Databases
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-- Degradation
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-- Distortion
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-- Feature extraction
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-- Fingerprint recognition
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-- Frequency measurement
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-- Harmonic analysis
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-- Heuristic algorithms
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-- Humans
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-- Indexes
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-- Instruments
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-- Interpolation
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-- Low pass filters
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-- Microphones
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-- Mood
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-- Multiple signal classification
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-- Music
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-- Performance analysis
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-- Production
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-- Quantization
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-- Real-time systems
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-- Rhythm
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-- Robustness
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-- Rocks
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-- Software
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-- Standards
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-- Support vector machine classification
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-- Synchronization
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-- Taxonomy
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-- Timing
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-- Transfer functions
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-- Transient analysis
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-- Visualization
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-- Watermarking
710 2# - ADDED ENTRY--CORPORATE NAME
Corporate name or jurisdiction name as entry element IEEE Xplore (Online Service),
Relator term distributor.
710 2# - ADDED ENTRY--CORPORATE NAME
Corporate name or jurisdiction name as entry element John Wiley & Sons,
Relator term publisher.
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Print version:
International Standard Book Number 9781118266823
856 42 - ELECTRONIC LOCATION AND ACCESS
Materials specified Abstract with links to resource
Uniform Resource Identifier https://ieeexplore.ieee.org/xpl/bkabstractplus.jsp?bkn=6266785

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